SOLO EXHIBITION

2021          Above Below, Blum & Poe Gallery, LA, USA

 

2018         Coyotes in Two Directions, Art | Sci Gallery, California Nanosystems Institute, LA, USA

2017         Reformation of 50,000 Letters, New Wight Gallery, LA, USA

 

2017         Strata Reiteration, Broad Art Center, LA, USA

 

 

 

 

SELECTED GROUP EXHIBITION

2021         Freeport, Epoch Gallery, https://epoch.gallery/Freeport/index.htm

2020         A2P, https://a2p.bitmark.com/v2

 

2019         Performative Computation, Navel Gallery, LA, USA 

2018         Garden, Utopian Visions Art Fair, Portland, OR
 

2018         Weak or No Signal, New Wight Gallery, LA, USA 

 

2017         Feminist Climate Change, Ars Electronica, Linz, Austria

 

2017         Far Bazaar, Cerritos College, Norwalk, USA

 

2016         Lumia Canvas, Gray Area Foundation for the Arts, SF, USA

 

2015         Point Line, Gray Area Foundation for the Arts, Swissnex, SF, USA

 

2015         Night Light Multimedia Garden,  SOMArts Cultural Center, SF, USA

 

2014         Teathers Us, de Young Museum, SF, USA

 

2013         Tonantzin Jams, Luggage Store Gallery, SF, USA

 

2012         Native Diaspora Now, Galeria de la Raza, SF, USA

 

 

 

 

AWARDS/RESIDENCIES

2020        Craft Futures Grant, Center for Craft

2019        LACMA Art + Tech Lab Fellowship Grant

2018        Djerassi Artist Residency, Science Delirium Madness 

2018        Steve Wilson Fellowship, Leonardo International Society for Arts, Sciences, and Technology

COLLECTIONS

2021        Above Below, Los Angeles County Museum of Art

ARTIST TALKS

2021         Art x Science x LA Panel, Getty Pacific Standard Time

2021         Above Below, Los Angeles County Museum of Art

2021         Art && Code, Studio for Creative Inquiry, Carnegie Mellon University

2021         Weaving and/as Technology, Olin College of Engineering

2021         Weaving: Four Perspectives Panel, Haystack Mountain School of Crafts

2020        UCSB Art Colloquium

2019        Making Between Unstable States, Media Arts Technologies, UCSB

2019        Computational Weaving, LACMA Art + Tech Lab

2019        Sound as Extruded Form, Sound + Science Symposium, ART | SCI

2018        Coyotes in Two Directions, Leonardo Art Science Evening Rendezvous

2018        Kinetic Works, Nanolab, California Nanosystems Institute

2018        Machine Learning and Art, Djerassi Resident Artist Program

2017        Weaving and History of Women’s Labor in Technology, UCLA Arts

2016        Weaving the Screen, Zurich Institute for Computer Music and Sound Technology

PUBLICATIONS

2021         Above Below, Fulcrum Arts

 

2020        Data Weaving, P5.js 1.0 Contributors Zine

2019        Shapeshifting the Colonial Object, Leonardo Vol. 52, Issue 5, MIT Press

2019        Science Delirium Madness 5.0, Leonardo, Vol. 52, Issue 3, MIT Press

BIBLIOGRAPHY

2019        Allison Noelle Carter, Sarah Rosalena Brady at Blum and Poe, Contemporary Art Review Los Angeles, Issue 24 

2019        Sonia Sheridan, “Weaving Global Minds: Generative Systems,” Studio for Digital Services, LLC

WORKSHOPS

2018        Decolonizing Language and Neural Networks, Djerassi Resident Artist Program

2018        Animal Linguistics with Machine Learning, Nanolab, California Nanosystems Institute

2017        Data Weaving as Cultural Text for Activism, ScopeLab, UCLA Arts

2017        Reforming Matter with Data and Digital Fabrication/CNC Milling, UCLA Arts

EDUCATION

 

2018         MFA Design Media Arts, UCLA

 

2014         BFA Film, Magna Cum Laude, San Francisco State University