SOLO EXHIBITION
2022. Solo Booth, Garden Gallery, Frieze LA
2021 Above Below, Blum & Poe Gallery, LA, USA
2018 Coyotes in Two Directions, Art | Sci Gallery, California Nanosystems Institute, LA, USA
2017 Reformation of 50,000 Letters, New Wight Gallery, LA, USA
2017 Strata Reiteration, Broad Art Center, LA, USA
SELECTED GROUP EXHIBITION
2022 Digital Awareness of Sustainable Futures, Espronceda/International Symposium for Electronic Art (ISEA), Barcelona, ES
2022 Fragile Fiber, Carolyn Glasoe Bailey Foundation, Ojai, USA
2021 Freeport, Epoch Gallery, https://epoch.gallery/Freeport/index.htm
2020 A2P, https://a2p.bitmark.com/v2
2019 Performative Computation, Navel Gallery, LA, USA
2018 Garden, Utopian Visions Art Fair, Portland, OR
2018 Weak or No Signal, New Wight Gallery, LA, USA
2017 Feminist Climate Change, Ars Electronica, Linz, Austria
2017 Far Bazaar, Cerritos College, Norwalk, USA
2016 Lumia Canvas, Gray Area Foundation for the Arts, SF, USA
2015 Point Line, Gray Area Foundation for the Arts, Swissnex, SF, USA
2015 Night Light Multimedia Garden, SOMArts Cultural Center, SF, USA
2014 Teathers Us, de Young Museum, SF, USA
2013 Tonantzin Jams, Luggage Store Gallery, SF, USA
2012 Native Diaspora Now, Galeria de la Raza, SF, USA
AWARDS/RESIDENCIES
2022 Creative Capital Award
2022 Carolyn Glasoe Bailey Foundation Art Prize
2020 Craft Futures Grant, Center for Craft
2019 LACMA Art + Tech Lab Fellowship Grant
2018 Djerassi Artist Residency, Science Delirium Madness
2018 Steve Wilson Fellowship, Leonardo International Society for Arts, Sciences, and Technology
COLLECTIONS
2021 Above Below, Los Angeles County Museum of Art
ARTIST TALKS
2022 Space Art Panel: Cosmic Sensation, MIT Media Lab
2022 Art and Tech Panel: Tools for Subversion and Empowerment, Honor Fraser Gallery
2021 Art x Science x LA Panel, Getty Pacific Standard Time
2021 Above Below, Los Angeles County Museum of Art
2021 Art && Code, Studio for Creative Inquiry, Carnegie Mellon University
2021 Weaving and/as Technology, Olin College of Engineering
2021 Weaving: Four Perspectives Panel, Haystack Mountain School of Crafts
2020 UCSB Art Colloquium
2019 Making Between Unstable States, Media Arts Technologies, UCSB
2019 Computational Weaving, LACMA Art + Tech Lab
2019 Sound as Extruded Form, Sound + Science Symposium, ART | SCI
2018 Coyotes in Two Directions, Leonardo Art Science Evening Rendezvous
2018 Kinetic Works, Nanolab, California Nanosystems Institute
2018 Machine Learning and Art, Djerassi Resident Artist Program
2017 Weaving and History of Women’s Labor in Technology, UCLA Arts
2016 Weaving the Screen, Zurich Institute for Computer Music and Sound Technology
PUBLICATIONS
2021 Above Below, Fulcrum Arts
2020 Data Weaving, P5.js 1.0 Contributors Zine
2019 Shapeshifting the Colonial Object, Leonardo Vol. 52, Issue 5, MIT Press
2019 Science Delirium Madness 5.0, Leonardo, Vol. 52, Issue 3, MIT Press
SELECTED PRESS
2022. Sarah Rosalena- Intersectional and Intergalactic Art Making
2022. Top Ten Booths at Frieze LA
2022. Satisfyingly Tactile Art at Frieze Los Angeles
2019. 2019 Art + Technology Lab Grant Recipients
2018. This Year's Steve Wilson Fellowship Has Been Awarded to Sarah Rosalena Brady
BIBLIOGRAPHY
2019 Allison Noelle Carter, Sarah Rosalena Brady at Blum and Poe, Contemporary Art Review Los Angeles, Issue 24
2019 Sonia Sheridan, “Weaving Global Minds: Generative Systems,” Studio for Digital Services, LLC
EDUCATION
2018 MFA Design Media Arts, UCLA
2014 BFA Film, Magna Cum Laude, San Francisco State University