SOLO EXHIBITION

2022          For Submersion, Clockshop, LA, USA

2021          Above Below, Blum & Poe Gallery, LA, USA

SELECTED GROUP EXHIBITION ​

 

2022.        Digital Awareness of Sustainable Futures, Espronceda/International Symposium for Electronic Art, Barcelona, ES

2022         Fragile Fiber, Carolyn Glasoe Bailey Foundation, Ojai, USA

2021         Freeport, Epoch Gallery, LA, USA

2021         Planet Earth, Atkinson Gallery, Santa Barbara, USA

2020         A2P, https://a2p.bitmark.com/v2

 

2019         Performative Computation, Navel Gallery, LA, USA 
 

2018         Weak or No Signal, New Wight Gallery, LA, USA 

 

2017         Feminist Climate Change, Ars Electronica, Linz, Austria

 

2017         Far Bazaar, Cerritos College, Norwalk, USA

 

2016         Lumia Canvas, Gray Area Foundation for the Arts, SF, USA

 

2015         Point Line, Gray Area Foundation for the Arts, Swissnex, SF, USA

 

2015         Night Light Multimedia Garden,  SOMArts Cultural Center, SF, USA

 

2014         Teathers Us, de Young Museum, SF, USA

 

2013         Tonantzin Jams, Luggage Store Gallery, SF, USA

 

2012         Native Diaspora Now, Galeria de la Raza, SF, USA

 

 

 

 

AWARDS/RESIDENCIES

2022        Creative Capital Award

2022        Carolyn Glasoe Bailey Foundation Art Prize

2020        Craft Futures Grant, Center for Craft

2019        LACMA Art + Tech Lab Fellowship Grant

2018        Djerassi Artist Residency, Science Delirium Madness 

2018        Steve Wilson Fellowship, Leonardo International Society for Arts, Sciences, and Technology

COLLECTIONS

2021        Above Below, Los Angeles County Museum of Art

ARTIST TALKS

2022         Guided By Plants Panel: The Indigenous Oaxacan Diaspora, Traditional Ecological Knowledge, and Contemporary Art, Atkinson Gallery

2022         Space Art Panel: Cosmic Sensation, MIT Media Lab 

2022         Art and Tech Panel: Tools for Subversion and Empowerment, Honor Fraser Gallery

2021         Art x Science x LA Panel, Getty Pacific Standard Time

2021         Above Below, Los Angeles County Museum of Art

2021         Art && Code, Studio for Creative Inquiry, Carnegie Mellon University

2021         Weaving and/as Technology, Olin College of Engineering

2021         Weaving: Four Perspectives Panel, Haystack Mountain School of Crafts

2019        Sound as Extruded Form, Sound + Science Symposium, ART | SCI

2018        Coyotes in Two Directions, Leonardo Art Science Evening Rendezvous

2018        Kinetic Works, Nanolab, California Nanosystems Institute

2018        Machine Learning and Art, Djerassi Resident Artist Program

2017        Weaving and History of Women’s Labor in Technology, UCLA Arts

2016        Weaving the Screen, Zurich Institute for Computer Music and Sound Technology

SELECTED PRESS

2022.       Sarah Rosalena- Intersectional and Intergalactic Art Making

2022.        Top Ten Booths at Frieze LA

 

2022.        Satisfyingly Tactile Art at Frieze Los Angeles

 

2021.        Sarah Rosalena Brady at Blum and Poe, Contemporary Art Review Los Angeles, Issue 24 

2019.        2019 Art + Technology Lab Grant Recipients 

2018.        This Year's Steve Wilson Fellowship Has Been Awarded to Sarah Rosalena Brady   

PUBLICATIONS

 

2019        Shapeshifting the Colonial Object, Leonardo Vol. 52, Issue 5, MIT Press

2019        Science Delirium Madness 5.0, Leonardo, Vol. 52, Issue 3, MIT Press

EDUCATION

 

2018         MFA Design Media Arts, UCLA

 

2014         BFA Film, Magna Cum Laude, San Francisco State University