2022.        Solo Booth, Garden Gallery, Frieze LA

2021          Above Below, Blum & Poe Gallery, LA, USA


2018         Coyotes in Two Directions, Art | Sci Gallery, California Nanosystems Institute, LA, USA

2017         Reformation of 50,000 Letters, New Wight Gallery, LA, USA


2017         Strata Reiteration, Broad Art Center, LA, USA







2022         Digital Awareness of Sustainable Futures, Espronceda/International Symposium for Electronic Art (ISEA), Barcelona, ES

2022         Fragile Fiber, Carolyn Glasoe Bailey Foundation, Ojai, USA

2021         Freeport, Epoch Gallery,

2020         A2P,


2019         Performative Computation, Navel Gallery, LA, USA 

2018         Garden, Utopian Visions Art Fair, Portland, OR

2018         Weak or No Signal, New Wight Gallery, LA, USA 


2017         Feminist Climate Change, Ars Electronica, Linz, Austria


2017         Far Bazaar, Cerritos College, Norwalk, USA


2016         Lumia Canvas, Gray Area Foundation for the Arts, SF, USA


2015         Point Line, Gray Area Foundation for the Arts, Swissnex, SF, USA


2015         Night Light Multimedia Garden,  SOMArts Cultural Center, SF, USA


2014         Teathers Us, de Young Museum, SF, USA


2013         Tonantzin Jams, Luggage Store Gallery, SF, USA


2012         Native Diaspora Now, Galeria de la Raza, SF, USA






2022        Creative Capital Award

2022        Carolyn Glasoe Bailey Foundation Art Prize

2020        Craft Futures Grant, Center for Craft

2019        LACMA Art + Tech Lab Fellowship Grant

2018        Djerassi Artist Residency, Science Delirium Madness 

2018        Steve Wilson Fellowship, Leonardo International Society for Arts, Sciences, and Technology


2021        Above Below, Los Angeles County Museum of Art


2022         Space Art Panel: Cosmic Sensation, MIT Media Lab 

2022         Art and Tech Panel: Tools for Subversion and Empowerment, Honor Fraser Gallery

2021         Art x Science x LA Panel, Getty Pacific Standard Time

2021         Above Below, Los Angeles County Museum of Art

2021         Art && Code, Studio for Creative Inquiry, Carnegie Mellon University

2021         Weaving and/as Technology, Olin College of Engineering

2021         Weaving: Four Perspectives Panel, Haystack Mountain School of Crafts

2020        UCSB Art Colloquium

2019        Making Between Unstable States, Media Arts Technologies, UCSB

2019        Computational Weaving, LACMA Art + Tech Lab

2019        Sound as Extruded Form, Sound + Science Symposium, ART | SCI

2018        Coyotes in Two Directions, Leonardo Art Science Evening Rendezvous

2018        Kinetic Works, Nanolab, California Nanosystems Institute

2018        Machine Learning and Art, Djerassi Resident Artist Program

2017        Weaving and History of Women’s Labor in Technology, UCLA Arts

2016        Weaving the Screen, Zurich Institute for Computer Music and Sound Technology


2021         Above Below, Fulcrum Arts


2020        Data Weaving, P5.js 1.0 Contributors Zine

2019        Shapeshifting the Colonial Object, Leonardo Vol. 52, Issue 5, MIT Press

2019        Science Delirium Madness 5.0, Leonardo, Vol. 52, Issue 3, MIT Press


2022.       Sarah Rosalena- Intersectional and Intergalactic Art Making

2022.        Top Ten Booths at Frieze LA


2022.        Satisfyingly Tactile Art at Frieze Los Angeles

2019.        2019 Art + Technology Lab Grant Recipients 

2018.        This Year's Steve Wilson Fellowship Has Been Awarded to Sarah Rosalena Brady     


2019        Allison Noelle Carter, Sarah Rosalena Brady at Blum and Poe, Contemporary Art Review Los Angeles, Issue 24 

2019        Sonia Sheridan, “Weaving Global Minds: Generative Systems,” Studio for Digital Services, LLC



2018         MFA Design Media Arts, UCLA


2014         BFA Film, Magna Cum Laude, San Francisco State University