SOLO EXHIBITION
2021 Above Below, Blum & Poe, LA, USA
2018 Coyotes in Two Directions, Art | Sci Gallery, California Nanosystems Institute, LA, USA
2017 Strata Reiteration, Broad Art Center, LA, USA
SELECTED GROUP EXHIBITION
2021 Viral Letter, Freeport, Epoch Gallery, https://epoch.gallery/Freeport/index.htm
2020 Punctum, A2P, https://a2p.bitmark.com/v2
2019 Artifacts, Performative Computation, Navel Gallery, LA, USA
2018 Forms, Garden, Utopian Visions Art Fair, Portland, OR
2018 the desert, the animist, and the virus, Weak or No Signal, New Wight Gallery, LA, USA
2017 Deformation of 50,000 Letters, New Wight Gallery, LA, USA
2017 Atl II, Feminist Climate Change, Ars Electronica, Linz, Austria
2017 Light Edges, Far Bazaar, Cerritos College, Norwalk, USA
2016 Lumia Canvas, Gray Area Foundation for the Arts, SF, USA
2015 Point Line, Gray Area Foundation for the Arts, Swissnex, SF, USA
2015 Obsidiana, Night Light Multimedia Garden, SOMArts Cultural Center, SF, USA
2014 Teathers Us, de Young Museum, SF, USA
2013 Black Oil, Tonantzin Jams, Luggage Store Gallery, SF, USA
2012 Shift, Native Diaspora Now, Galeria de la Raza, SF, USA
AWARDS/RESIDENCIES
2020 Craft Futures Grant, Center for Craft
2019 LACMA Art + Tech Lab Fellowship Grant
2018 Djerassi Artist Residency, Science Delirium Madness
2018 Steve Wilson Fellowship, Leonardo International Society for Arts, Sciences, and Technology
ARTIST TALKS
2021 Getty Pacific Standard Time, Art x Science x LA, Panel
2021 Above Below, LACMA
2021 Art && Code, Studio for Creative Inquiry, Carnegie Mellon University
2021 Above Below, Olin College of Engineering
2021 Haystack Mountain School of Crafts, Weaving: Four Perspectives Panel
2020 UCSB Art Colloquium
2020 Hardware as Craft, Craft as Hardware, Jet Propulsion Laboratory
2019 Making Between Unstable States, Media Arts Technologies, UCSB
2019 Computational Weaving, LACMA Art + Tech Lab
2019 Sound as Extruded Form, Sound + Science Symposium, ART | SCI
2018 Coyotes in Two Directions, Leonardo Art Science Evening Rendezvous
2018 Kinetic Works, Nanolab, California Nanosystems Institute
2018 Machine Learning and Art, Djerassi Resident Artist Program
2017 Weaving and History of Women’s Labor in Technology, UCLA Arts
2016 Weaving the Screen, Zurich Institute for Computer Music and Sound Technology
PUBLICATIONS
2021 Above Below, Fulcrum Arts
2020 Data Weaving, P5.js 1.0 Contributors Zine
2019 Shapeshifting the Colonial Object, Leonardo Vol. 52, Issue 5, MIT Press
2019 Science Delirium Madness 5.0, Leonardo, Vol. 52, Issue 3, MIT Press
BIBLIOGRAPHY
2019 Allison Noelle Carter, Sarah Rosalena Brady at Blum and Poe, Contemporary Art Review Los Angeles, Issue 24
2019 Sonia Sheridan, “Weaving Global Minds: Generative Systems,” Studio for Digital Services, LLC
WORKSHOPS
2018 Decolonizing Language and Neural Networks, Djerassi Resident Artist Program
2018 Animal Linguistics with Machine Learning, Nanolab, California Nanosystems Institute
2017 Data Weaving as Cultural Text for Activism, ScopeLab, UCLA Arts
2017 Reforming Matter with Data and Digital Fabrication/CNC Milling, UCLA Arts
SCREENINGS
2017 Told Her In Water By Fire, Artists Television Access, San Francisco, USA
2016 Atl, Shapeshifters Cinema, Oakland, USA
2016 Monoliths, Museu de Arte Moderna MAM, Rio de Janeiro, Brazil
2016 Faded Color, Crater Lab, Barcelona, Spain
2016 Faded Color, Centro Cultura Digital, Mexico City, Mexico
2016 Faded Color, no.w.here, London, UK
2014 .absorption., Northwest Film Forum, Seattle, USA
2014 Day///Night, Fylkingen, Stockholm, Sweden
2014 Faded Color, Crossroads Film Festival, SF Cinematheque, SF, USA
EDUCATION
2018 MFA Design Media Arts, UCLA
2014 BFA Film, Magna Cum Laude, San Francisco State University