2021          Above Below, Blum & Poe, LA, USA


2018         Coyotes in Two Directions, Art | Sci Gallery, California Nanosystems Institute, LA, USA


2017         Strata Reiteration, Broad Art Center, LA, USA






2021           Viral Letter, Freeport, Epoch Gallery,

2020          Punctum, A2P,


2019          Artifacts, Performative Computation, Navel Gallery, LA, USA 

2018         Forms, Garden, Utopian Visions Art Fair, Portland, OR

2018         the desert, the animist, and the virus, Weak or No Signal, New Wight Gallery, LA, USA 


2017         Deformation of 50,000 Letters, New Wight Gallery, LA, USA


2017        Atl II, Feminist Climate Change, Ars Electronica, Linz, Austria


2017        Light Edges, Far Bazaar, Cerritos College, Norwalk, USA


2016        Lumia Canvas, Gray Area Foundation for the Arts, SF, USA


2015        Point Line, Gray Area Foundation for the Arts, Swissnex, SF, USA


2015        Obsidiana, Night Light Multimedia Garden,  SOMArts Cultural Center, SF, USA


2014        Teathers Us, de Young Museum, SF, USA


2013        Black Oil, Tonantzin Jams, Luggage Store Gallery, SF, USA


2012        Shift, Native Diaspora Now, Galeria de la Raza, SF, USA






2020        Craft Futures Grant, Center for Craft

2019        LACMA Art + Tech Lab Fellowship Grant

2018        Djerassi Artist Residency, Science Delirium Madness 

2018        Steve Wilson Fellowship, Leonardo International Society for Arts, Sciences, and Technology


2021         Getty Pacific Standard Time, Art x Science x LA, Panel 

2021         Above Below, LACMA

2021         Art && Code, Studio for Creative Inquiry, Carnegie Mellon University

2021         Above Below, Olin College of Engineering

2021         Haystack Mountain School of Crafts, Weaving: Four Perspectives Panel 

2020        UCSB Art Colloquium

2020        Hardware as Craft, Craft as Hardware, Jet Propulsion Laboratory 

2019        Making Between Unstable States, Media Arts Technologies, UCSB

2019        Computational Weaving, LACMA Art + Tech Lab

2019        Sound as Extruded Form, Sound + Science Symposium, ART | SCI

2018        Coyotes in Two Directions, Leonardo Art Science Evening Rendezvous

2018        Kinetic Works, Nanolab, California Nanosystems Institute

2018        Machine Learning and Art, Djerassi Resident Artist Program

2017        Weaving and History of Women’s Labor in Technology, UCLA Arts

2016        Weaving the Screen, Zurich Institute for Computer Music and Sound Technology


2021         Above Below, Fulcrum Arts


2020        Data Weaving, P5.js 1.0 Contributors Zine

2019        Shapeshifting the Colonial Object, Leonardo Vol. 52, Issue 5, MIT Press

2019        Science Delirium Madness 5.0, Leonardo, Vol. 52, Issue 3, MIT Press


2019        Allison Noelle Carter, Sarah Rosalena Brady at Blum and Poe, Contemporary Art Review Los Angeles, Issue 24 

2019        Sonia Sheridan, “Weaving Global Minds: Generative Systems,” Studio for Digital Services, LLC


2018        Decolonizing Language and Neural Networks, Djerassi Resident Artist Program

2018        Animal Linguistics with Machine Learning, Nanolab, California Nanosystems Institute

2017        Data Weaving as Cultural Text for Activism, ScopeLab, UCLA Arts

2017        Reforming Matter with Data and Digital Fabrication/CNC Milling, UCLA Arts



2017       Told Her In Water By Fire, Artists Television Access, San Francisco, USA


2016       Atl, Shapeshifters Cinema, Oakland, USA


2016       Monoliths, Museu de Arte Moderna MAM, Rio de Janeiro, Brazil


2016       Faded Color, Crater Lab, Barcelona, Spain


2016       Faded Color, Centro Cultura Digital, Mexico City, Mexico


2016       Faded Color,, London, UK


2014       .absorption., Northwest Film Forum, Seattle, USA

2014       Day///Night, Fylkingen, Stockholm, Sweden


2014       Faded Color, Crossroads Film Festival, SF Cinematheque, SF, USA



2018         MFA Design Media Arts, UCLA


2014         BFA Film, Magna Cum Laude, San Francisco State University